After five years of war and hardship, young people need a distraction from the dreary atmosphere of the devastated villages. In Aisne, the reconstruction is slow. The American Committee decides to adv...
In front of Landricourt's temporary church, a crowd attends the baptism of a bell that will replace the one destroyed during WWI. The new bell was donated by the Poetry Society of America in memory of...
In June 1919 at the Mailly military camp, tanks carry out traction tests on rough terrain while Marshal Pétain looks on.
Lieutenant Lender and Paul Heldelberg present the "Piloteur" to the Invention Department's Technical Aeronautic Committee. Using this device, which is anchored to the ground, student pilots can learn...
In a field, soldiers, officers, civilians, and Jules-Louis Breton, members of the Invention Department Committee, study different types of machine guns designed to be fired at tanks.
The Higher Invention Committee examines the Chilowsky shrapnel to increase the power of projectiles.
A group of officers and civilians attends the assembly and test-firing of the 240mm Trench Mortar.
The department of inventions, studies, and technical experiments on powders and explosives carries out test explosions off Toulon. The technical and scientific team prepares the experiment aboard a bo...
Still from "Gebrochene Schwingen"
Lissy Arna, Luis Trenker
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
Still from "Die Strafgefangene Nr. 63. Unschuldig verurteilt"
Still from "Dämonit"
Paul Wegener
Still with Carl Clewing (front, on the left)
Paul Kronegg, Traute Carlsen, Franz Herterich (from left to right)
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...