Aboard a sailboat in the Toulon harbor, the Invention Department carries out underwater listening experiments directed by Jean Perrin.
France in arms : How a citizen becomes a soldier: clothing, physical training, peeling potatoes, mess and military training. Men write "Vive la France" (Long Live France) with their bodies on the floo...
Emperor Nicolas II and the Hereditary Grand Duke salute the Russian troops who then perform gymnastic tricks, a tug-of-war, and sack race. His Majesty Nicolas II, accompanied by an archbishop, then vi...
During the First World War, Vickers manufactured munitions and war materials needed for combat. In the workshops, shrapnel and shells are manufactured by workers, while women and young girls assemble ...
French, Serbian, and Greek troops advance against Bulgarian troops in Macedonia in September 1918: the effects of artillery shots, columns of captured prisoners and equipment, views of Prilep, moving ...
Soldiers are taught to use the Lewis Machine Gun, a fixed mount weapon, during military training using pictures.
Rushes showing the terrain's condition after the March 1918 German offensive: the devastated hill of Mont Renaud, destroyed wayside cross, a deserted village. George Clemenceau's visit to the Monchy-H...
Placing flowers at the cenotaph. Marshals Joffre and Foch at the Porte Maillot in Paris. Parade of French generals on horseback and soldiers on foot, filmed from the ground and the top of the Arc de t...
Still with Carl de Vogt (on the left, sitting)
Paul Wegener
Alice Verden, Erich Ponto (both front)
Golem-figures by sculptor Rudolf Belling
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Alice Verden
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...