Very brief film of Hawker Harts or Demons of 23 Squadron RAF taking off from a grass airstrip, England, 1935-1937.
I. 'FUNERAL OF FIREMAN HERO: J.S. Green whose fearless bravery was instrumental in saving 22 lives from a fire caused by a Zeppelin raid on the London District'. Brass-helmetted firemen carry the coff...
I. 'KING ALBERT'S CAVALRY: Cavalry keeping fit for the time when their service will be required to drive the Hun invader out of Belgium'. The cavalry are seen in action, galloping uphill and across op...
I. 'CROSSING THE VISTULA: The ruins of a bridge blown up by the Russians before retreating from the Germans'. The cantilevered bridge has collapsed in the centre and lies sprawled across the river. Th...
I. 'NAVAL BOMBARDMENT IN THE BOSPHORUS: An unique film showing the destructive power of Naval guns. Taken on board a Russian destroyer engaged in shelling the Turkish positions. Bluejackets bringing u...
I. 'PALACE OF VERSAILLES AS HOSPITAL: Scenes in the French Red Cross hospital where the "Poilus" are cared for by charming nurses'. Nurses and a doctor attend to a patient. One of the long rooms of th...
'ZEPPELIN DESTROYED. Wreckage of the air raider, the flames of which illuminated London when it fell blazing at Cuffley'. LS of crowd gathered on open parkland. Lorries wait loaded with pieces of the ...
I. 'RUSSIANS IN MACEDONIA. Russian troops disembarking from the transport to help the Allies in Macedonia.' Small paddle-steamer crowded with Russian troops runs alongside quay and men disembark. 'HEL...
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...