The syrup is collected in March, when the farmer drills a small hole in the tree then attaches a wooden "spile" for the sap to flow out of, and a bucket in which the sap is collected. The sap from sev...
The film appears to start in Calcutta with street scenes, and views of some of the buildings, both Western and Eastern in influence. A funeral procession takes place, ending at the river. Further inla...
A man in the uniform of an RFC flight sergeant prepares the camera on a workbench. First the lens cap is removed and the lens cleaned. Then he sets the blind aperture and the exposure indicator to zer...
The cadets, on the ground, study maps. Two of them climb out of a Bristol F2B Fighter after a training flight. One has his parachute harness checked. Another tries to control his parachute on the grou...
A Vickers Virginia bomber is set up to be fired from one of the catapults. First, a pilot gets into a smaller aircraft, a Fairey IIIF (not a seaplane) which is launched by one version of the catapult,...
A Vickers Virginia bomber is launched from the catapult. On the second launch the camera shows the view from the front of the bomber as it flies forward out of the catapult.
Newsreel item on expe...
The aircraft comes in to land at Cranwell and taxies to a halt. The crew members, Squadron Leader A G Jones-Williams and Flight Lieutenant N H Jenkins, are congratulated on their flight, which took 50...
The Germans lost eleven Zeppelins in the course of the raid, five of them over France. First, the wreck of one of the airships is inspected by French soldiers, while two of the aircraft which shot it ...
Still with Uschi Elleot
Still from "Ein Mädchen zu verschenken"
Poster design
Still with Carl de Vogt (on the left, sitting)
Paul Wegener
Alice Verden, Erich Ponto (both front)
Golem-figures by sculptor Rudolf Belling
Still from "Reingefallen"
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Mercedes-Film GmbH, Die Leibhusaren und ihre Geschichte, Der Kinematograph, 565, (1917). Die Werbung verweist darauf, dass der Film durch von Mackensens Frau gefördert wird.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische UnterstÃ...