(Reel 1) "Mr Briton" is a pillar of the community, with a wife and daughter, a cook, a maid and a gardener. His son Tom is with the Army in France and his daughter Mabel is an Inspector of Female Labo...
The raw material - close-up of a piece of concrete held in the hand. Travelling medium shot from a train pulling into a siding at the shipyard - seven months ago the area "consisted of open fields". P...
Harbour scene with mountains in the background. Steam launch comes alongside towing five ship's boats crowded with ratings and marines. Local people watch as the sailors disembark. Crowds pass waterfr...
Medium shot view fine on starboard quarter of HMS St Vincent with main yards set. Mainsail clewed up. Main topgallant sail furled in a body. Main topsail scandalised - yard lowered and reef tackle hau...
The camera position looks over the Queen Elizabeth's quarterdeck towards the stern. Wilson comes up the ship's ladder and shakes hands with Beatty. It is an informal, working meeting. The rest of the ...
One of the officers plays briefly outdoors with a parrot on its perch. Two officers with a theodolite on a tripod survey the area. Indoors a RNVR lieutenant makes fine adjustments to a set of scales b...
The airship is shown nose-out in its hangar with the frame of another rigid airship being built beside it. The groundcrew leads the R27 out to its launch ground. The camera gets in close to show the l...
The British patrol lies in a slit trench beside its Rolls-Royce Silver Ghost armoured car. The captured spy sits on top of the car's bonnet and is questioned by an interpreter.
I. Newsreel item o...
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Still with Uschi Elleot
Poster design
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
"'Um das grosse Erbe'. Aufhebung eines Filmverbots", Der Kinematograph, 549, (1917), S. 11-14.
Universum Filmverleih, Söhne des Volkes, Der Kinematograph, 620, (1918), S. 3. "Der bisher unter dem Titel 'König des Lichts' angekündigte Film...der neue Film für die neue Zeit"
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...