(Reel 1) "Mr Briton" is a pillar of the community, with a wife and daughter, a cook, a maid and a gardener. His son Tom is with the Army in France and his daughter Mabel is an Inspector of Female Labo...
The raw material - close-up of a piece of concrete held in the hand. Travelling medium shot from a train pulling into a siding at the shipyard - seven months ago the area "consisted of open fields". P...
Harbour scene with mountains in the background. Steam launch comes alongside towing five ship's boats crowded with ratings and marines. Local people watch as the sailors disembark. Crowds pass waterfr...
Medium shot view fine on starboard quarter of HMS St Vincent with main yards set. Mainsail clewed up. Main topgallant sail furled in a body. Main topsail scandalised - yard lowered and reef tackle hau...
The camera position looks over the Queen Elizabeth's quarterdeck towards the stern. Wilson comes up the ship's ladder and shakes hands with Beatty. It is an informal, working meeting. The rest of the ...
One of the officers plays briefly outdoors with a parrot on its perch. Two officers with a theodolite on a tripod survey the area. Indoors a RNVR lieutenant makes fine adjustments to a set of scales b...
The airship is shown nose-out in its hangar with the frame of another rigid airship being built beside it. The groundcrew leads the R27 out to its launch ground. The camera gets in close to show the l...
The British patrol lies in a slit trench beside its Rolls-Royce Silver Ghost armoured car. The captured spy sits on top of the car's bonnet and is questioned by an interpreter.
I. Newsreel item o...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...