I. RAMC men help refugees in a street in Douai to load both themselves and their belongings into a British Army lorry. As the last one is loaded the tailboard is closed up and the people wave as the l...
The bride and groom emerge down the steps of Saint James's, Piccadilly, after the ceremony. The groom is in the uniform of a Canadian captain with raincoat, top boots and staff tabs. They pose for pho...
An open air church parade with the battalion drawn up in hollow square. The battalion marches back to its billets led by its band. A posed group of men "who have been with the battalion since 1914". A...
The men dismount in front of a farmhouse, standing by their horses with their rifles. They then come to attention and remount with their rifles. They move off, closing up formation into column of four...
The film may be out of time-sequence. It shows General Allenby talking to senior officers (none identifiable) in Cairo. This is followed by a procession of cars through the streets of the city. Allenb...
A posed group of the battalion's officers. Men of the battalion, obviously camera-conscious, rest by the roadside, then collect their kit and move off. Led by their band, they march in full kit throug...
Each move in the assault is shown twice, as an animated diagram, then as actuality material. The defence is a thinly-held forward position, a main position, and a redoubt or final position, at about 5...
A pierrot show by men of the Norfolk Regiment, Western Front, autumn 1917.
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
O. Verf.. "Kino-Kritik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 68-69. Obwohl immer wieder Forderungen nach der Hebung des Niveaus im Kino laut würden, ...
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 652, (1919), S. 21. "Die Welt, der große Kuppler" wird als kitschig und misslungen bewertet, ebenso "Die Postanweisung". "Ich...
F. Felix, Krieg den Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 4/5, (1914/1915), S. 91-93. Polemik gegen die Verarbeitung der Kriegsereignisse im Film und gegen...