The party, in informal dress, walks in the gardens of the house. Beaverbrook's young daughter and two smaller sons (wearing kilts) are prominent. The group poses on the terrace steps, followed by a se...
The film stresses local personalities (some mentioned by name) and details of local life. At the village pump a notice-board is used for newspapers to spread news of the war. Children play round a may...
The Portuguese officers pose with their British liaison and training staff. A parade ground marchpast, possibly gunners doing formation drill. Semaphore practice on the parade ground. Gun teams practi...
The sports are held by convalescent soldiers wearing hospital blue uniforms, and by nurses. A man and woman in civilian clothes, well-dressed, throw sweets to the crowd of convalescents. The sports co...
A pan of the assembly camp in Egypt, tented and open, where the "recruits of all provinces dressed in various types of garb" arrive and are given Egyptian Labour Corps uniform, "the men are delighted ...
Horses from the farm are exercised by young ladies of the Women's Land Army Agricultural Section, acting as grooms. The horses are cantered round a paddock and over a low jump. Each of the eight girls...
Newsreel item showing US aviators arriving by lorry in Stratford, England, September 1918
A very brief scene of a parade of soldiers being addressed by civilians, possibly the visit of J R Bennett to the Royal Newfoundland Regiment at Ecuires, France, June 1918.
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...