The party, in informal dress, walks in the gardens of the house. Beaverbrook's young daughter and two smaller sons (wearing kilts) are prominent. The group poses on the terrace steps, followed by a se...
The film stresses local personalities (some mentioned by name) and details of local life. At the village pump a notice-board is used for newspapers to spread news of the war. Children play round a may...
The Portuguese officers pose with their British liaison and training staff. A parade ground marchpast, possibly gunners doing formation drill. Semaphore practice on the parade ground. Gun teams practi...
The sports are held by convalescent soldiers wearing hospital blue uniforms, and by nurses. A man and woman in civilian clothes, well-dressed, throw sweets to the crowd of convalescents. The sports co...
A pan of the assembly camp in Egypt, tented and open, where the "recruits of all provinces dressed in various types of garb" arrive and are given Egyptian Labour Corps uniform, "the men are delighted ...
Horses from the farm are exercised by young ladies of the Women's Land Army Agricultural Section, acting as grooms. The horses are cantered round a paddock and over a low jump. Each of the eight girls...
Newsreel item showing US aviators arriving by lorry in Stratford, England, September 1918
A very brief scene of a parade of soldiers being addressed by civilians, possibly the visit of J R Bennett to the Royal Newfoundland Regiment at Ecuires, France, June 1918.
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Henny Porten, Paul Hartmann
Screenshot from "Bilder aus der großen Schlacht. 5. Teil"
O. Verf.. "Kino-Kritik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 68-69. Obwohl immer wieder Forderungen nach der Hebung des Niveaus im Kino laut würden, ...
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 652, (1919), S. 21. "Die Welt, der große Kuppler" wird als kitschig und misslungen bewertet, ebenso "Die Postanweisung". "Ich...
F. Felix, Krieg den Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 4/5, (1914/1915), S. 91-93. Polemik gegen die Verarbeitung der Kriegsereignisse im Film und gegen...