Men of the Royal Engineers, watched by three officers (one of them a colonel with a staff armband) assemble a Nissen hut, which is described as being "cool in summer and warm in winter" and as housing...
A nursing home behind the lines with Jules Copin, his wife and child, and two blind aunts, led by two nurses. Copin was a French soldier captured by the Germans in September 1914 who escaped and was h...
Australians parade in the open air in front of Birdwood, who stands with his staff at a table covered by a Union Jack. The soldiers approach and receive decorations. Other Australian troops at rest (p...
A very brief scene of a British soldier walking towards the camera carrying two live turkeys, Western Front, December 1917.
Haig, on horseback, with staff and lancer escort, accompanied by Major-General Sir Andrew Russell, the New Zealand divisional commander, inspects the division and takes the salute during the march pas...
(Reel 1) The arsenal entrance in Beresford Square, with the internal train taking the workers to various departments. Women and boys in the Tailors' Shop make gloves, felt "buttons" for 15-inch shells...
The townspeople and some British officers and NCOs watch as the members of the corps celebrate the Chinese New Year with a procession, including two 'Junks' carried by one man each, a tug of war, a gr...
Four members of a Chinese military mission to British GHQ are shown how to use their gas masks before setting off on a tour of the Western Front, November 1917.
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...