The battalion signallers form up in the courtyard and practise their semaphore. A company on parade fixes bayonets and is inspected by its company officer, following which the men march off. Men pract...
A young lady sits at her breakfast table drinking tea and reading the morning paper. She reads of a heavy fine imposed on someone caught watering nursery milk, and conjures up a vision of a sick child...
An unfinished stable at the hospital, "will you help the RSPCA to complete it ?". A group of three horses. A wounded horse being attended to at a mobile veterinary section near the front. Wounded hors...
The British reverse their Mark V Male tanks into a courtyard in the centre of the city, to the interest of the civilian crowd. The men perform maintenance on their tanks, while soldiers and armed Germ...
Film fragment of an Australian convoy of wounded on mule-drawn litters, led by a mule-drawn ambulance, making its way over dusty hills, possibly Palestine, 1916-1918.
A semi-posed group of Greek soldiers watches the camera in the centre of the town. The main post office is shown, guarded by Allied troops of varying nationalities, mainly French.
Newsreel item o...
A Serbian officer scans the distance with binoculars as the French gunners set the fuses on their field gun's shells and fire a round. (The caption says the gun is a 75mm, but it appears to be an obso...
The men prepare to fire the gun, elevating the barrel. Then they are shown posed for the camera standing on and around the gun.
American gunners with a French 400mm railway gun, probably near Mai...
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...