The battalion signallers form up in the courtyard and practise their semaphore. A company on parade fixes bayonets and is inspected by its company officer, following which the men march off. Men pract...
A young lady sits at her breakfast table drinking tea and reading the morning paper. She reads of a heavy fine imposed on someone caught watering nursery milk, and conjures up a vision of a sick child...
An unfinished stable at the hospital, "will you help the RSPCA to complete it ?". A group of three horses. A wounded horse being attended to at a mobile veterinary section near the front. Wounded hors...
The British reverse their Mark V Male tanks into a courtyard in the centre of the city, to the interest of the civilian crowd. The men perform maintenance on their tanks, while soldiers and armed Germ...
Film fragment of an Australian convoy of wounded on mule-drawn litters, led by a mule-drawn ambulance, making its way over dusty hills, possibly Palestine, 1916-1918.
A semi-posed group of Greek soldiers watches the camera in the centre of the town. The main post office is shown, guarded by Allied troops of varying nationalities, mainly French.
Newsreel item o...
A Serbian officer scans the distance with binoculars as the French gunners set the fuses on their field gun's shells and fire a round. (The caption says the gun is a 75mm, but it appears to be an obso...
The men prepare to fire the gun, elevating the barrel. Then they are shown posed for the camera standing on and around the gun.
American gunners with a French 400mm railway gun, probably near Mai...
View of a restaurant filled with guests, primarily Austrian officers. Nurse Mathilde (actor: Adina Mandlová) is sitting in the centre background and behind her are seated musicians playing instrument...
Medium shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Wide shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Medium shot of two nurses. Tonička (actress: Truda Grosslichtová) is holding a wash basin with a sponge and Mathilde (actress: Adina Mandlová) is washing the face of a lying patient. In the backgro...
Wide shot of a café. Austrian officers sit around tables on the right and left (second from left is actor Jaroslav Marvan). Dr. Šrámek (actor: František Smolík) is standing next to the table on t...
View of a hospital room. Infantryman Sakař (actor: Jindřich Plachta) is lying on a bed with a bandaged neck and closed eyes. Leaning over him to the left is infantryman Tlamicha (actor: Theodor Piš...
In the foreground, Lieutenant Rjepkin is lying on a hospital bed. Two doctors and Nurse Mathilde (actress: Adina Mandlová) are standing over him. Dr. Klíma (actor: Karel Veverka) has a stethoscope i...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) in civilian clothing and Dr. Šrámek (actor: František Smolík) in an officer's uniform. They are standing in a corridor.
Fort mit den letzten Überresten polizeilicher Gewalten, Die Filmwelt, 12.Jg., 49, (1918). Aufruf, dass nach Wegfall der Zensur auch alle anderen polizeilichen Verordnungen wie Werbeverbote oder das k...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Propaganda-Filme, Der Kinematograph, 571, (1917), S. 19-20. Deutsche Propagandafilme seien noch immer den feindlichen unterlegen. Man müsse zu denselben Waffen greifen, wie es die Feinde tun und die ...
Staat und Kino, Der Kinematograph, 514, (1916), S. 11-12. Erörterung der Idee, der Staat könne die Filmproduktion in seine Hände nehmen. Als Beispiel wird die Eisenbahn genommen, die auch zunächst...
Arthur Loening, Ein Friedensfilm, Lichtbildbühne, 50, (1918), S. 40 & 56. Der Film greife die aktuelle Sehnsucht nach Frieden auf. Wie aber der Westfälische Frieden einen Machtzuwachs für Frankreic...
Mercedes-Film GmbH, Suchomlinow, Der Kinematograph, 566, (1917), S. 27.