Limbered 77mm field guns pass at the trot, then halt for the crews to dismount. The caption points out that German NCOs lead each column. A posed group of senior officers, including one German in Turk...
The brigade, raised in Camberwell, parades through the streets on its way to join 33rd Division at Bulford. The streets are lined with people as the limbers move past.
Newsreel item on CLVI Briga...
The aircraft, a Rumpler Taube reconnaissance plane, has been brought down virtually intact, and lies guarded by French soldiers in the middle of a square. Curious Greek civilians surround it.
New...
The film starts with the four-man aircraft crew posed at the water's side in Kristianiafjord, with the two pilots, Captain S D Scott and Major C J Galpin, in the centre. Their flying-boat, a Felixstow...
The ship's hull, described as a "USA Mammoth Warship", comes down the slipway and into the water. It has yet to be fitted out (see notes).
Newsreel item on a launch at the New York Navy Yard, Bro...
Spectators watch as engineers complete the fitting of the tank's tracks for its rough ground tests. It drives up and down slopes, over frozen puddles, and across railway lines. Then, with the tracks a...
Over the rough ground of the foothills the British drive their tanks, the Light Tank Mark IIB. In close-up, the turret of one tank opens and the commander (wearing a special tanker's helmet) emerges t...
A line of Vickers Medium Mark I tanks, almost wheel-to-wheel, "greatly improved and much speedier than those in the Great War". A Dragon tows an 18-pounder Mark IV field gun along a road. At a field b...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...