Limbered 77mm field guns pass at the trot, then halt for the crews to dismount. The caption points out that German NCOs lead each column. A posed group of senior officers, including one German in Turk...
The brigade, raised in Camberwell, parades through the streets on its way to join 33rd Division at Bulford. The streets are lined with people as the limbers move past.
Newsreel item on CLVI Briga...
The aircraft, a Rumpler Taube reconnaissance plane, has been brought down virtually intact, and lies guarded by French soldiers in the middle of a square. Curious Greek civilians surround it.
New...
The film starts with the four-man aircraft crew posed at the water's side in Kristianiafjord, with the two pilots, Captain S D Scott and Major C J Galpin, in the centre. Their flying-boat, a Felixstow...
The ship's hull, described as a "USA Mammoth Warship", comes down the slipway and into the water. It has yet to be fitted out (see notes).
Newsreel item on a launch at the New York Navy Yard, Bro...
Spectators watch as engineers complete the fitting of the tank's tracks for its rough ground tests. It drives up and down slopes, over frozen puddles, and across railway lines. Then, with the tracks a...
Over the rough ground of the foothills the British drive their tanks, the Light Tank Mark IIB. In close-up, the turret of one tank opens and the commander (wearing a special tanker's helmet) emerges t...
A line of Vickers Medium Mark I tanks, almost wheel-to-wheel, "greatly improved and much speedier than those in the Great War". A Dragon tows an 18-pounder Mark IV field gun along a road. At a field b...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...