At the height of World War I, when the final outcome could not yet have been anticipated, one of the most controversial court trials in Serbian political history and the biggest scandal of the Serbian...
IV konjički puk „Velikog kneza Konstantina Konstantinovića“ se vratio iz Balkanskih ratova na beogradsku železničku stanicu u četiri časa po podne 3. avgusta 1913. godine, gde ga je sačekao...
Monument of Gratitude to France, a work of the sculptor Ivan Meštrović, raised at Kalemegdan as a token of friendship, mutual help and cooperation of Serbia and France in World War I was formally un...
On St. Peter`s Day, 12th July 1932, monument of the fallen Šumadija soldiers in World War I was solemnly sanctified and unveiled in Kragujevac. The film tracks the whole course of the ceremony – th...
Posle pobede srpske nad bugarskom armijom u Bregalničkoj bici krajem juna 1913. godine štab Prve armije na čelu sa prestolonaslednikom Aleksandrom ulogorio se na Crnom vrhu u blizini Kratova. ...
During the autumn of 1914 and the well-known Battle of Kolubara, the Austro-Hungarian army committed atrocious crimes against the civilian population on the territory of Mačva. After the war, a charn...
Parts of various accounts from the period of World War I: an officer of the Serbian Army interrogates a group of Albanians, the soldiers give them presents. The Serbian and French artillerymen. Abando...
Due to one French soldier lack of attention, on the 18th August 1917 there was a great fire in Thessaloniki, which lasted several days, destroyed a large part of the town and brought out many human vi...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Stein, O. Th.. "Der Kinematograph als moderne Zeitung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 25-28. Stein beschreibt die Wochenschau in den Kinos als sch...
O. Verf.. „Kinotheaterwesen und deutscher Einfluss im östlichen Mittelmeer.“ Der Kinematograph 374 (1914). Obwohl es im Rahmen des Bagdadbahnprojekts zur verstärkten Gründung von Kinos durch de...
O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...