Sanz the ventriloquist presents a show sparring his automata, which he gives movement and voice, providing them with their own personality. The naughty boy, the teacher, the old couple, the gentleman,...
The film is a miscellany of life shooting, related to the first conflict, showing: scenes of provisions using military vehicles with engine or pulled by horses in country and city roads; shootings of ...
In the beginning of this film, the camera is directed from the best known Zagreb café of its time out towards the street, from where a large group of adults and children are inquisitively looking thr...
Towns devasted by the war: San Martino del Carso; General Cadorna in the trenches of the Carso; General Cadorna and General Nivelle
Imperial army advances on the Isonzo front.
Scenes of battles, trenches, wounded and prisoners
Towns devasted by the war: San Martino del Carso; General Cadorna in the trenches of the Carso; General Cadorna and General Nivelle
Scenes of battles, trenches, wounded and prisoners
Still from "Der Feind im Land"
Still from "Der Geiger von Meißen"
Still from "Der Schwur der Renate Rabenau"
Lyda Salmonova, Paul Wegener
Paul Wegener
Still from "Der Film von der Königin Luise. 2. Abteilung: Aus Preußens schwerer Zeit"
"Der Golem, wie er in die Welt kam" (1920)
Film poster
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
O. Verf.. „Deutschlands Ein- und Ausfuhr von Kinofilmen im Jahre 1912.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 236. Wirtschaftsstatistiken aus dem ...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 418, (1914), S. 27-35.