Corporate film Corporate film about the extraction, processing, and use of basalt by the Nederlandsche Basalt Maatschappij. The film follows the typical pattern of a corporate film, with images of the...
Compilation of newsreel items with an item about a puppet-show in French trenches, a message of victory for the Allied forces and soldiers who are receiving presents from home.
Newsreel with items about the festivities in commemoration of the First World War, the closing of Jewish shops and a football match.
1. Opening of a stadium in Berlin it the presence of emperor Wilhelm II and his entourage; military salute with many flags and soldiers. 2. Ahlbeck. The emperor visits a children's home: a parade of ...
Documentary about the city of Utrecht This film is dedicated to Mayor Reiger, who had a great deal of influence on the development of Utrecht at the turn of the century. The opening shot is an aerial ...
Compilation of three tourist films from Germany around 1915.
Torpedo boat "Drazki" disarms Otoman cruiser ""Hamidiye"". Lüleburgaz after it has been taken over by Bulgarian troops. The seige of Odrin (Edirne).Wounded soldies at a Russian Red Cross field hospit...
Version with Dutch intertitles. Germany during World War I. To give the soldiers at the front a little courage to face life, the girls from home regularly send them gifts of love. Wendelin Liebreich, ...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Grempe, P. M.. “Der Wert kinematographischer Aufnahmen für die Kunst.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 79-80. Erörterung, wie die Kenntnisse...
Lorenzen, Ernst und Ewers, Hanns Heinz. „Der Student von Prag.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 140-142. Der Film sei ein Meilenstein, weil er zu...