Documentary about the fruit harvest in the Netherlands Fruit Harvest in the Netherlands shows the harvest of gooseberries, apples, pears, and cherries. The film includes shots of the fruit-picking - b...
Reportage about the May Day celebrations of the SDAP on Museum Square in Amsterdam Film about the SDAP's massive May Day celebrations on Museum Square. A large group of socialism supporters meet at M...
FAN newsreel made just after the ending of the First World War, with Germen news items.
Advertising film in which Loet Barnstijn shows what his film company is capable of doing At the headquarters of his film company HAP Film, distributor and producer Lou Barnstijn bets with 'Mr. L. ...,...
Corporate film about the Rijks Munt in Utrecht The film shows the fast and efficient production process at the Rijks Munt in Utrecht, with footage of melting, casting, punching, rolling, and minting ...
Impression of the harsh winter of 1917 in the Netherlands The winter of 1917 was extremely cold, with some of the lowest average temperatures in history. The film shows the effects of this cold winter...
A documentary about a wintry North Holland. Images of fun on the ice in a wintery North Holland. The inhabitants of Amsterdam enjoy themselves on the ice on the Herengracht. Skaters in Amsterdam get ...
Compilation of tourist images of Italy ( such as Isola Bella, Lake Como, Messina [?]) and presumably Switzerland and Austria. Many mountain views and a farmyard (France?).
Still from "Ein Mädchen zu verschenken"
"Der Golem, wie er in die Welt kam" (1920)
Dita Parlo, Lars Hanson
Still from "Die Topharmumie"
Film poster
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
O. Verf.. "Die Kinematographie auf dem 85. Naturforschertag in Wien." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70-71. Meldung über den Einsatz von Filmen ...
Frankemölle, Wenzel. "In diesem Zeichen wirst du siegen." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-45. Frankemölle lobt den Historienfilm "In hoc signo v...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Asta-Nielsen-Lichtspiele GmbH. „Bismarck. Die neuesten Aufnahmen aus den Kriegstagen.“ Der Kinematograph 400 (1914): 1. Werbung, mit dem Hinweis, dass der Stoff des Filmes den ernsten Kriegstagen ...