Melodrama about love and deceit. The scheming and dissolute Dénis de Kerouan wants to wreak misery on his brother Robert. While Robert is out of the country, Dénis hires a forger to fabricate a lett...
Newsreel item on the commemoration of the First World War.
Manifestazione di stampo nazional-patriottico a Ponte Chiasso nella ricorrenza dell'entrata dell'Italia in guerra. Alla presenza di Augusto Turati, dell'invalido di guerra Antonio Cadringher e del seg...
Based on Pedro Calderón de la Barca's play.
IWW Romania. German air base in Dobrudja. Biplanes take off. Views of the city and harbour of Constanza affected by bombings. Romanian prisoners. Civil population's exodus. Constanza's casino. Damage...
Two satiric cartoons.
The footage shows parts of the funeral ceremony for Auguste Viktoria, wife of Kaiser Wilhelm II, in the Temple of Antiquity at Sanssouci Palace in April 1921. In the foreground is the coffin's process...
The film mainly shows monarchs, including the Austrian Emperor Franz Joseph I at a military parade in Vienna in 1910, the Austrian Archduke Franz Ferdinand walking in the park at Reichenau, the German...
The battle of Zborov: A group of soldiers during the assault.
The battle of Zborov: Soldiers overcoming barriers with barbed wires.
The battle of Zborov: Four soldiers run out a trench.
The battle of Zborov: A system of trenches with soldiers.
The battle of Zborov: Volunteers in the trench before the assault.
The battle of Zborov: Four Austrian soldiers in gasmasks.
The battle of Zborov: Four Austrian soldiers in the trench with gasmask cases around their necks.
The battle of Zborov: An injured soldier in the barbed wire barrier.
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...