1. Intertitle: Working with a prosthesis at a lathe. Image: An amputee soldier working with a prosthetic arm at a lathe. 2. Intertitle: Rosset claw. Image:Various mechanisms are affixed to the prosthe...
St. Quentin with German soldiers in street scene; Place du huit Octobre, Avenue Faidherbe, Boulevard Victor Hugo; ruins of the Seret Frères emporium; war damage to the St. Martin church; Rue de Paris...
Orders given to the crew of an armoured fighting vehicle, entry and departure; horsedrawn signal corps unit takes up a position; riflemen unload signal equipment, erect a transmission mast and establi...
1. Intertitle: Italy: Arezzo blossoms again from the ruins of the earthquake... Image: Reconstruction work after the earthquake in Arezzano. 2. Intertitle: … A farmer who was buried under the rubble...
1. Intertitle: The regulars' table at the „White Swan“. Men at a table discussion; a waitress brings the men a daily newspaper. 2. Intertitle: Regulars' table strategies. The group in lively discu...
1. Intertitle: Berlin: On the occasion of the birthday of H.M. the German Kaiser a tribute concert was held at the victory column. Image: Tribute concert for the occasion of the 56th birthday of Kaise...
1. Intertitle: I. World war; practice shooting on the North Sea coast near Blankenberge with automatic flak gun (loaded with 6-shot cartridges) without gunner. 2 Intertitle: Automatic flak gun on rota...
General Eduard von Böhm-Ermolli at his command post; briefing with Austrian officers at the map table; destroyed bridges over the Pruth before Czernowitz; Austrian troops bivouac on the banks of the ...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...