Part I: 1. Intertitle: Image: Military band on the platform of the Sirkeci railway station in Constantinople, train arrives. 2. Intertitle: Image: Kaiser Wilhelm II is welcomed by, among others, Sulta...
1. Intertitle: The triumphal arch at the Vienna Station. Image: Crowds at the triumphal arch, lining the street; street full of civilians; Polish Legionaires ride past in close formations, followed by...
Aerial shots of the city of Laon with the river Aisne; fortifications and a castle; flight along the Chemin des Dames near the Aisne.
1. Image: Animated map of the position of the front in Flanders in 1918; depiction of the advance of the German 4th and 8th armies westwards across Ypern, Kemel and Merville; aerial shots of the battl...
1. Zwischentitel: Der Flugplatz Travemünde. Bild: Flugplatzgebäude mit Rollfeld und landendem Doppeldecker. 2. Zwischentitel: Start zum Wasserflug (in der Mitte der berühmte Kapitänleutnant Frie...
Emptying a balloon; folding the balloon casing and rolling out the remaining air; removal by the balloon brigade and loading onto the wagon; the balloon brigade decamps to a new area of deployment; th...
Mourning in the Reichstag building for Reichstag President Dr. Johannes Kaempf, who died on 25th May 1918, and transfer of the body to the Matthaean churchyard. Aerial display by pilots from the front...
1. Part 1. Intertitle: The troops embark in Liepāja. Image: Troop transporter in the harbour at Liepāja. 2. Intertitle: The troop transport ships wait to be used. Image: Troop transporter in the har...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Eiko Film, Ich kenne keine Parteien mehr, Der Kinematograph, 406, (1914), S. 1. Werbeanzeige mit Hinweis auf "Beseitigung der Zensurschwierigkeiten".
Revolverjournalisten, Der Kinematograph, 683, (1920), S. 20-21. Bericht, dass Filme auch in der Tagespresse eine immer stärkere Aufmerksamkeit erzeugen würden. Viele Zeitungen seien dazu übergegang...