The short video shows three young women posing in front of the camera in the Porta Palazzo Market, located in Piazza della Repubblica. The video is a copy from the film print held by the Museo Naziona...
Tweedledum, suffering from a strong myopia, decides to take driving lessons in order to escape from boredom. After reading an announcement on the newspaper, he goes to the driving school and after pay...
The melancholy story of a juvenile love in the early twentieth century Turin: the student Mario meets and gets engaged to the seamstress Dorina, his landlady’s daughter. A beautiful and bored lady d...
Panoramic camera movement over the snowy Vosges mountains; German emplacements, medic on duty inspects subordinates; soldiers ride in the cable car; transport of supply goods by horsedrawn sled and el...
1. Zwischentitel: Blick auf St. Quentin vom Börsenturm aus gesehen. Bild: Kameraschwenk über Ruinen in St. Quentin mit zerstörter Kathedrale. 2. Zwischentitel: Platz an der Kathedrale. Bild: Schwen...
1. Intertitle: Admission of wounded medical and messenger dogs. Image: Admission of wounded medical and messenger dogs. 2. Intertitle: The animals are immediately brought to the doctor on duty, examin...
Bayram celebration in the prisoner camp at the close of the Ramadan fast month; prisoners march off (Algerians, Goumiers and Indians) with musical accompaniment from the band to the Vineyard camp, Ger...
1. Intertitle: The city of Balaclava. Image: camera pan across the port city of Balaclava on the Black Sea. 2. Intertitle: Harbour and entrance with the old 16th-century Genoese fortress. Image: entra...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
Behne, Adolf. „Kino und Geschichtsklitterung.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 15-17. A.B. beschreibt den historischen Film als Genre, das wie g...
"Hu-hu ! Wir schröcklich ! (mit'n „ö“)", Der Kinematograph, 490, (1916), S. 20(?). Entgegnung auf die Behauptungen des Abgeordneten Werner-Giessen, die Flut an Krimis in den Kinos schade der Mor...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.