The short video shows three young women posing in front of the camera in the Porta Palazzo Market, located in Piazza della Repubblica. The video is a copy from the film print held by the Museo Naziona...
Tweedledum, suffering from a strong myopia, decides to take driving lessons in order to escape from boredom. After reading an announcement on the newspaper, he goes to the driving school and after pay...
The melancholy story of a juvenile love in the early twentieth century Turin: the student Mario meets and gets engaged to the seamstress Dorina, his landlady’s daughter. A beautiful and bored lady d...
Panoramic camera movement over the snowy Vosges mountains; German emplacements, medic on duty inspects subordinates; soldiers ride in the cable car; transport of supply goods by horsedrawn sled and el...
1. Zwischentitel: Blick auf St. Quentin vom Börsenturm aus gesehen. Bild: Kameraschwenk über Ruinen in St. Quentin mit zerstörter Kathedrale. 2. Zwischentitel: Platz an der Kathedrale. Bild: Schwen...
1. Intertitle: Admission of wounded medical and messenger dogs. Image: Admission of wounded medical and messenger dogs. 2. Intertitle: The animals are immediately brought to the doctor on duty, examin...
Bayram celebration in the prisoner camp at the close of the Ramadan fast month; prisoners march off (Algerians, Goumiers and Indians) with musical accompaniment from the band to the Vineyard camp, Ger...
1. Intertitle: The city of Balaclava. Image: camera pan across the port city of Balaclava on the Black Sea. 2. Intertitle: Harbour and entrance with the old 16th-century Genoese fortress. Image: entra...
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
American soldiers sent to France march with the American flags in the streets of Paris.
A soldier with cannon in a trench during the battle of Terron.
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 586, (1918), S. 28ff. Besprochen werden gleich zwei Propagandafilme zur achten Kriegsanleihe. "Lloyd George in Berlin" wird als äußer...
Messter Film GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 557, (1917), S. 3.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 473, (1916), S. 17-20. Bericht über Neuerscheinungen auf dem Filmmarkt. Bei zwei der behandelten Filme handelt es sich um Krimis, vier Komöd...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 581, (1918), S. 28-29. "Edelsteine" wird als erstes besprochen und als psychologisch tiefgründiges Werk bezeichnet. An dritter Stelle ...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Propaganda-Filme, Der Kinematograph, 571, (1917), S. 19-20. Deutsche Propagandafilme seien noch immer den feindlichen unterlegen. Man müsse zu denselben Waffen greifen, wie es die Feinde tun und die ...