The short video shows three young women posing in front of the camera in the Porta Palazzo Market, located in Piazza della Repubblica. The video is a copy from the film print held by the Museo Naziona...
Tweedledum, suffering from a strong myopia, decides to take driving lessons in order to escape from boredom. After reading an announcement on the newspaper, he goes to the driving school and after pay...
The melancholy story of a juvenile love in the early twentieth century Turin: the student Mario meets and gets engaged to the seamstress Dorina, his landlady’s daughter. A beautiful and bored lady d...
Panoramic camera movement over the snowy Vosges mountains; German emplacements, medic on duty inspects subordinates; soldiers ride in the cable car; transport of supply goods by horsedrawn sled and el...
1. Zwischentitel: Blick auf St. Quentin vom Börsenturm aus gesehen. Bild: Kameraschwenk über Ruinen in St. Quentin mit zerstörter Kathedrale. 2. Zwischentitel: Platz an der Kathedrale. Bild: Schwen...
1. Intertitle: Admission of wounded medical and messenger dogs. Image: Admission of wounded medical and messenger dogs. 2. Intertitle: The animals are immediately brought to the doctor on duty, examin...
Bayram celebration in the prisoner camp at the close of the Ramadan fast month; prisoners march off (Algerians, Goumiers and Indians) with musical accompaniment from the band to the Vineyard camp, Ger...
1. Intertitle: The city of Balaclava. Image: camera pan across the port city of Balaclava on the Black Sea. 2. Intertitle: Harbour and entrance with the old 16th-century Genoese fortress. Image: entra...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 633, (1919), S. 49-50. "Die Lieblingsfrau des Maharadschas" wird als sentimentaler Kitsch abgetan. "Irrungen" handle vom Kampf...
Luxor, Sylva: "Kino, Monarchie und „Vorwärts“" Der Kinematograph 389 (1914). Entgegnungen auf die Vorwürfe der sozialdemokratischen Presse, dass das Kino die Herrschaftsinteressen der Monarchie ...
Häfker, Hermann. "Der Weg zur Kinodramatik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/ 1914). H.H. erklärt den Film zu einer anderen Künsten gegenüber gleichran...
Tannenbaum, Herbert. "Probleme des Kinodramas." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 60-63. Tannenbaum erörtert die Möglichkeiten des Films und probl...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...