Documentary dedicated to the artillery assigned to the Italian troops in Africa, shot by Luca Comerio in 1912, while the war in Libya was underway. The video is a copy from the film print preserved in...
Luca Comerio is perhaps the greatest documentary filmmaker in Italian silent cinema. War films have an important place within his immense production, in particular the ones dedicated to the Italo-Turk...
Clay pits were operative near Cefalù in the 1910s. This brief documentary shows us the different stages of the manufacturing process: from the hard job of extracting and transporting it to the artisa...
The golden hollow is the site where the city of Palermo rises, with its most famed beauties are shown to us thanks to static takes, slow tracking and “split screen” shots inspired by picturesque p...
A documentary set in Italian-speaking Switzerland, whose beauties are revealed through “phantom rides” on the Brunate Cremagliera railway, through sunsets in backlight on Lake Como and footage of ...
Documentary dedicated to the submarines assigned to the Italian Military Navy, shot by Luca Comerio in 1912, while the war in Libya was underway. The drills shown take place near the port of Taranto. ...
The panoramic shot opening the film pinponts the true protagonists at once: the canals, water harnessed within circuits planned by man in order to wrench land from the sea. The camera travels at water...
Episode of the series produced by Comerio dedicated to the Italo-Turk war. It features the departure of Lt. Paolo Solaroli’s body from Africa to Italy. The video is a copy from the film print preser...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
Stern-Film, Alkohol, Lichtbildbühne, 49, (1918), S. 69.
O. Verf.. „Der Mangel an Aktualitäten.“ Der Kinematograph 400 (1914): 3-4. Artikel, der den Mangel an aktuellen Aufnahmen aus dem Krieg beklagt. Der Krieg sei die richtige Gelegenheit für die Pr...
Elster, Alexander. "Kinogewerbe und Kinokunst." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 172-173. Die wirtschaftliche Lage des Kinogewerbes verhindere eine k...
Die Verfilmung von Königlichen Lazarettbesuchen in der "Eiko-Woche", Der Kinematograph, 441, (1915), S. 10. Bericht über die Absicht de Eiko-Woche, nicht nur Kämpfe zu filmen, sondern auch das mili...
Das neue Filmzensurgesetz, Der Kinematograph, 692/93, (1920), S. 15-17. Bericht über das am 15.4.1920 erlassene Filmzensurgesetz. Das Erlassen des Gesetzes bedeute einen schwarzen Tag für die deutsc...
Englische Beobachtungen im Berliner Kino, Der Kinematograph, 421, (1915), S. 27. Bericht, der aus der Londoner "Daily Mail" zitiert wird und die Eindrücke eines englischen Reporters von einer Wochens...