Documentary dedicated to the artillery assigned to the Italian troops in Africa, shot by Luca Comerio in 1912, while the war in Libya was underway. The video is a copy from the film print preserved in...
Luca Comerio is perhaps the greatest documentary filmmaker in Italian silent cinema. War films have an important place within his immense production, in particular the ones dedicated to the Italo-Turk...
Clay pits were operative near Cefalù in the 1910s. This brief documentary shows us the different stages of the manufacturing process: from the hard job of extracting and transporting it to the artisa...
The golden hollow is the site where the city of Palermo rises, with its most famed beauties are shown to us thanks to static takes, slow tracking and “split screen” shots inspired by picturesque p...
A documentary set in Italian-speaking Switzerland, whose beauties are revealed through “phantom rides” on the Brunate Cremagliera railway, through sunsets in backlight on Lake Como and footage of ...
Documentary dedicated to the submarines assigned to the Italian Military Navy, shot by Luca Comerio in 1912, while the war in Libya was underway. The drills shown take place near the port of Taranto. ...
The panoramic shot opening the film pinponts the true protagonists at once: the canals, water harnessed within circuits planned by man in order to wrench land from the sea. The camera travels at water...
Episode of the series produced by Comerio dedicated to the Italo-Turk war. It features the departure of Lt. Paolo Solaroli’s body from Africa to Italy. The video is a copy from the film print preser...
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
Scala-Film-Verleih GmbH, Der Hetman der Ukraine, Der Kinematograph, 581, (1918), S. 18-19. Die Anzeige geht auf den Sieg gegen Russland ein und erwähnt das Interesse des Publikums an der Geschichte d...
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...