Farmers and two female conductors, wearing caps and white aprons, chase a pig to the station of Giengen.
Children and bands at a pageant of floats. Children and young people at shows.
The film is a reportage on the socialist parade and festivity which took place 1st of May, 1914 in Bucharest. The column of demonstrator is formed in front of Dacia hall, marches on Calea Victoriei (V...
The film is a short touristic documentary presenting traditional occupations of people, such as wood transport with the carriage for men and knitting for women, and folk dances, such as Hora and Sarba...
A ferry boat unloads a train on the coasts of Sicily; the steam engine starts moving, the railway winds through stark landscapes and picturesque coastlines. In the meantime we are shown the gathering ...
The print is without intertitles and shows images dedicated to various aspects of the First World War and military life. Probably is a collation of sundry material belonging to different documentaries...
The film, a greatly suggestive documentary on landscapes, owes some of its happiest moments to the phantom ride technique, which makes use of the momentum of shots taken with the camera mounted on mov...
War documentary produced by the Sezione Cinematografica del Regio Esercito [Royal Italian Army Film Department]. The film was very probably subjected to cuts and re-editing over the years, as the non ...
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
Still from "Die rätselhafte Sphinx"
Szene aus "Der rote Baron"
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...
Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...