Farmers and two female conductors, wearing caps and white aprons, chase a pig to the station of Giengen.
Children and bands at a pageant of floats. Children and young people at shows.
The film is a reportage on the socialist parade and festivity which took place 1st of May, 1914 in Bucharest. The column of demonstrator is formed in front of Dacia hall, marches on Calea Victoriei (V...
The film is a short touristic documentary presenting traditional occupations of people, such as wood transport with the carriage for men and knitting for women, and folk dances, such as Hora and Sarba...
A ferry boat unloads a train on the coasts of Sicily; the steam engine starts moving, the railway winds through stark landscapes and picturesque coastlines. In the meantime we are shown the gathering ...
The print is without intertitles and shows images dedicated to various aspects of the First World War and military life. Probably is a collation of sundry material belonging to different documentaries...
The film, a greatly suggestive documentary on landscapes, owes some of its happiest moments to the phantom ride technique, which makes use of the momentum of shots taken with the camera mounted on mov...
War documentary produced by the Sezione Cinematografica del Regio Esercito [Royal Italian Army Film Department]. The film was very probably subjected to cuts and re-editing over the years, as the non ...
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Henny Porten, Paul Hartmann
Screenshot from "Bilder aus der großen Schlacht. 5. Teil"
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
Brepohl. "Von der Kinematographenzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Bericht über den Fall eines Kinobesitzers, der in der Zensur, sofern ...
Sellmann, Adolf. „Der Kampf um den Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 97-100. Das Kino sei vor allen Dingen von Feinden von außen bedroht, v...
O. Verf.. „Englands Heer. Der englische Armee-Film.“ Der Kinematograph 374 (1914).
O. Verf.. "Entwicklung und Bedeutung des Kinowesens." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Statistische Zahlen, die die Bedeutung und Verbreitung d...
Der Arbeiter und Soldaten Rat, Lichtbildbühne, 49, (1918).
Rennert, Malwine. "Die Tote“ (Retaggio d'odio), Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III,8, (1913 /1914), S. 203-204. Rennert sieht den Film als extrem gefährlich und mo...
Schibas, Franz. „Wie meine Schülerinnen die Filmstücke beurteilen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 37-39. Schibas schildert, wie seine Schül...