In Paris in 1918, refugees from the Somme exit Gare du Nord (North Station) with their luggage.
In Paris in 1917, cavalrymen march in the streets, a family follows a loved one's casket, Parisians bury Mr. Liard, and a soldier stands in front of a home.
In 1919, numerous soldiers arrive at Gare de l'Est (East Station). They line up in front of offices to be demobilized, then wait at clothing centers to return their packs.
In July 1918, during World War I, the streets of Paris seen from a tramway are calm, and the people, of which there are few, go about their business. On a sidewalk, city-dwellers stroll along and a so...
In October 1918, posters hung in the Paris streets implore passersby to subscribe to the fourth national loan to "regain all of France's sweet land." Parisians can see trophies of war such as the subm...
In August 1918, Parisians stand in line in front of the Félix Potin grocery store in order to get a few potatoes. On the sixth of the same month, others wait on Rue de Buci for some wine.
Paris, in September and October 1918. Captured Drahen balloons are displayed in the Tuileries Garden and on the Champs-Elysées. On the boulevards, Parisians can see the advances on the western front ...
From February 4 to 9, 1920, at the Grand Palais des Champs-Elysées (Great Palace), the Société Centrale d'Aviculture de France (Central French Poultry Farming Society) exhibits the last of commande...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
O. Verf.. „Deutschlands Ein- und Ausfuhr von Kinofilmen im Jahre 1912.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 236. Wirtschaftsstatistiken aus dem ...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 418, (1914), S. 27-35.