In a field, soldiers, officers, civilians and Jules-Louis Breton, members of the Invention Department Committee, study the manoeuvrability of military equipment used to transport ammunition.
The Invention Department's aeronautic technical committee and Edmond Rothé place an electric-oscillation anemometer under an elongated tethered balloon with low cubic volume. The method uses only one...
The Department of Inventions, Studies, and Technical Experiments organizes the de-mining of a large amount of unexploded shells from the war at the Suippes military camp, settled on the ruins of the T...
The Higher Invention Committee studies the cannon wheel invented by Captain Cordier, on muddy ground.
After a panorama of the village of Fleury, a 75 mm battery takes some shots. An infantry makes headway in the countryside. Then, English generals inspect a battalion of chasseurs à pied (light infant...
During the First World War, Louise de Bettignies and Léonte Vanhout crossed the Dutch border fifteen times to deliver information to the English troops positioned in front of Arras. They were arreste...
On the ground, men try to control a dirigible's cables to help it land near a hangar. Once again in flight, this dirigible meets another, Astra dirigible.
In 1918, during World War I, the Printemps department store advertises the summer sales. Parisians take a look at the displays, which are lavish, and pass by a few soldiers. A man sprays the pavement ...
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...