Lefrancois, a father of six, is a soldier. His seventh child is on the way and will be named Victory. Lefrancois cannot remember why he tied a knot in his handkerchief. Although he has received the Wa...
In Courbevoie (Delage factory), workers machining, countersinking, and drilling mechanical parts for weaponry and airplane engines. In Paris (Gaumont), workers manufacture rifle covers and boosters. W...
The main stages of Marshal Foch's life from 1913-1929: in 1913 in Nancy, during the Great War, with General Weygand at the end of the conflict, at the victory celebrations, traveling in Europe and the...
In February 1916, french soldiers inspect a Zeppelin's wreck, shot down by the autocannons' section of Revigny near Brabant-le-Roi
The daily life of the 44th battalion of Senegalese infantrymen (Tirailleurs sénégalais): parade with music in a mountainous countryside, digging trenches in a forest, return to camp, cooking and mea...
Interaction between heavy artillery on a railroad and the air force during the Somme offensive: the role of optic telegraphy and aerology. The artillery and air force in the Verdun region: loading and...
In 1920, in a village in French Alsace, many people have come to attend the national holiday celebration. Officers and well-known civilians are in attendance and a Major General presides over the loca...
The crews of an assault artillery group posing in front of Schneider tanks with a mascot dog. Lieutenant Fievez of the AS 37 group shows damages from a German shell on the wall of his tank. Schneider ...
Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...
Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...
Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...
Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...
Rolf Randolf Film, Der Doppelmord in Sarajewo, Der Kinematograph, 670, (1919), S. 3?.
Marcell Lyon, Die Zukunft des militärischen Films, Der Kinematograph, 638, (1919), S. 7-?. Erörterung der derzeitigen Lage des Bild-und Filmamtes, das vom Arbeiter-und Soldatenrat noch immer besetzt...
W.R.. „Historische Filme.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 86. Der Rezensent führt den Film als Beispiel dafür an, dass die Filmindustrie mi...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...
Traugott Schalcher, Die neue Generation, Das Lichtbildtheater, 6.Jg, Nr.22, (1914). Der Artikel berichtet von der Selbstverständlichkeit, mit der das Kino als Medium in der jungen Generation angenomm...
Rennert, Malwine. „Im Reich der Mütter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 267-269. Rennert führt das Versagen des Kinos als Erziehungsmitt...