Lefrancois, a father of six, is a soldier. His seventh child is on the way and will be named Victory. Lefrancois cannot remember why he tied a knot in his handkerchief. Although he has received the Wa...
In Courbevoie (Delage factory), workers machining, countersinking, and drilling mechanical parts for weaponry and airplane engines. In Paris (Gaumont), workers manufacture rifle covers and boosters. W...
The main stages of Marshal Foch's life from 1913-1929: in 1913 in Nancy, during the Great War, with General Weygand at the end of the conflict, at the victory celebrations, traveling in Europe and the...
In February 1916, french soldiers inspect a Zeppelin's wreck, shot down by the autocannons' section of Revigny near Brabant-le-Roi
The daily life of the 44th battalion of Senegalese infantrymen (Tirailleurs sénégalais): parade with music in a mountainous countryside, digging trenches in a forest, return to camp, cooking and mea...
Interaction between heavy artillery on a railroad and the air force during the Somme offensive: the role of optic telegraphy and aerology. The artillery and air force in the Verdun region: loading and...
In 1920, in a village in French Alsace, many people have come to attend the national holiday celebration. Officers and well-known civilians are in attendance and a Major General presides over the loca...
The crews of an assault artillery group posing in front of Schneider tanks with a mascot dog. Lieutenant Fievez of the AS 37 group shows damages from a German shell on the wall of his tank. Schneider ...
Alice Verden, Erich Ponto
Paul Wegener, Lyda Salmonova
Screenshot from "Guerre 1914-1915. Le General Joffre en Alsace"
Still from "Der Graf von Cagliostro"
Screenshot from "Mit L.35 über Berlin und Potsdam"
Paul Hartmann, Adolf Klein (from left to right)
Ossi Oswalda, Julius Dewald
Film poster
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...