Aircraft and balloons : Manufacturing an airship and aviation factory. Comparison of 1914 and 1917 airplanes. Illustrated enumeration of all airplane types. Airplane pilot and gunner training. Observa...
Shots of the destroyers that participated: the Bouclier, the Magon and the Capitaine Mehl. Officers and crews on a building walkway. The cannons and torpedo-launcher tubes used in the victory are pres...
On July 14, 1919, the allied troops march through the streets of Paris to celebrate their victory.
On August 10, 1920, the Zeppelin L 72, surrendered by Germany as war reparations, flies over the Grand Palais (Great Palace) and the Eiffel Tower.
Montage of intermission intertitles made for movie theaters: a movie director notably conveys his greetings to his clientele from the front.
Doris Parker, the daughter of an American Marine Officer, becomes Harry Townsend's pen pal. Harry is a young American soldier with no family who has gone to fight in France. As they exchange letters, ...
It is September 1915, and the Schneider company is manufacturing a tank with crawler tracks, designed in collaboration with Colonel Estienne. On February 25, 1916, 400 tanks are ordered. The construct...
Scenes of rural life in Picardie at the beginning of the century: the destruction of shells in open fields, sowing, plowing with a multifurrow plow, harvesting with a sickle, a graduation ceremony, th...
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...