Aircraft and balloons : Manufacturing an airship and aviation factory. Comparison of 1914 and 1917 airplanes. Illustrated enumeration of all airplane types. Airplane pilot and gunner training. Observa...
Shots of the destroyers that participated: the Bouclier, the Magon and the Capitaine Mehl. Officers and crews on a building walkway. The cannons and torpedo-launcher tubes used in the victory are pres...
On July 14, 1919, the allied troops march through the streets of Paris to celebrate their victory.
On August 10, 1920, the Zeppelin L 72, surrendered by Germany as war reparations, flies over the Grand Palais (Great Palace) and the Eiffel Tower.
Montage of intermission intertitles made for movie theaters: a movie director notably conveys his greetings to his clientele from the front.
Doris Parker, the daughter of an American Marine Officer, becomes Harry Townsend's pen pal. Harry is a young American soldier with no family who has gone to fight in France. As they exchange letters, ...
It is September 1915, and the Schneider company is manufacturing a tank with crawler tracks, designed in collaboration with Colonel Estienne. On February 25, 1916, 400 tanks are ordered. The construct...
Scenes of rural life in Picardie at the beginning of the century: the destruction of shells in open fields, sowing, plowing with a multifurrow plow, harvesting with a sickle, a graduation ceremony, th...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Behne, Adolf. „Kino und Geschichtsklitterung.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 15-17. A.B. beschreibt den historischen Film als Genre, das wie g...
"Hu-hu ! Wir schröcklich ! (mit'n „ö“)", Der Kinematograph, 490, (1916), S. 20(?). Entgegnung auf die Behauptungen des Abgeordneten Werner-Giessen, die Flut an Krimis in den Kinos schade der Mor...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.