On a ship bound for Genoa there is a boy in rags is a small Padua, who was sold by his parents to a company of acrobats and had been forced, in order to feed themselves, to do all the work in the circ...
Moments of the meeting of Kaiser Wilhelm II of Germany and King of Italy Vittorio Emanuele III in Venice on March 25, 1908.
Documentary about the Italian colonial enterprise in the Aegean Sea.
Sequenze che mostrano una cerimonia militare in cui si vede: giuramento delle reclute, discorso del colonnello Giancale, discorso del tenente Bellincioni, conferimento delle decorazioni, sfilata delle...
Documentary about the launch of the battleship "New Zealand" in Portsmouth.
Documentary about the Italian-Turkish war which opens with a chronicle of the famous conquest of Ain-Zara in December 1911.
Episode of the monthly series of stories from the book Cuore of Edmondo De Amicis. In the town hall there is a solemn ceremony of handing over the medal for civil valor. The winner is a Piedmont boy w...
Visit of King Vittorio Emanuele III in Tripoli after the annexation of the city to Italy (1911).
Alice Verden
Still from "Christa Hartungen"
Gustav Fröhlich, Lars Hanson (from left to right)
Ossi Oswalda, Julius Dewald
Screenshot from "Die Lokomobil-Fabrik R. Wolf Magdeburg-Buckau"
Szene aus "Der rote Baron"
Alice Verden, Erich Ponto
Still from "Reingefallen"
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...
News of the exhibition in Lisbon of a group of “war films” in a tribute to the allied nations.
FILMEN is the most important Danish film industry magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year).
Wie steht das Volk zum Kino ?, Das Lichtbildtheater, 6.Jg, Nr.5, (1914). Bericht über die erste soziologische Untersuchung des Kinowesens durch Emilie Altenloth. Ihrem Ergebniss, dass maßgeblich Men...
H.v.W., Schund, Schmutz und Kino, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 255-256. Die Reaktionen auf "Fräulein Feldwebel" seien ähnlich wie die auf ...
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 368 (1914).
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 367 (1914). Werbung
Lynx. „Kritik.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 80-84. Erläutert die Absicht, künftig in der Zeitschrift Filmkritiken zu veröffentlichen so...