On a ship bound for Genoa there is a boy in rags is a small Padua, who was sold by his parents to a company of acrobats and had been forced, in order to feed themselves, to do all the work in the circ...
Moments of the meeting of Kaiser Wilhelm II of Germany and King of Italy Vittorio Emanuele III in Venice on March 25, 1908.
Documentary about the Italian colonial enterprise in the Aegean Sea.
Sequenze che mostrano una cerimonia militare in cui si vede: giuramento delle reclute, discorso del colonnello Giancale, discorso del tenente Bellincioni, conferimento delle decorazioni, sfilata delle...
Documentary about the launch of the battleship "New Zealand" in Portsmouth.
Documentary about the Italian-Turkish war which opens with a chronicle of the famous conquest of Ain-Zara in December 1911.
Episode of the monthly series of stories from the book Cuore of Edmondo De Amicis. In the town hall there is a solemn ceremony of handing over the medal for civil valor. The winner is a Piedmont boy w...
Visit of King Vittorio Emanuele III in Tripoli after the annexation of the city to Italy (1911).
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Henny Porten, Paul Hartmann
Screenshot from "Bilder aus der großen Schlacht. 5. Teil"
Rennert, Malwine. "Kleopatra, Herrin des Nils; Die letzten Tage von Byzanz." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 65-68. Rennert lobt „Kleopatra“ f...
Warstatt, Willi. "Das künstlerische Problem in der Photographie und in Der Kinematographie. II." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 32-34. Warstatt be...
"Eiko in Front !", Der Kinematograph, 454, (1915), S. 15-16. Bericht über die neuesten Wochenschaubilder vom Eiko.
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...