Racks of weapons, possibly a display of police equipment. A map of the Metropolitan police divisions. An evidence case ? Men working at desks. Out of focus shot of fingerprints being taken. Boys worki...
'BELGIAN ENGINEERS IN THE FIELD: Belgian engineers erecting bridges over the rivers in Flanders. This work is vital to an army and has to be carried out in some cases under heavy shell fire'. A montag...
'ADVANCE ON THE EASTERN FRONT Russia having replenished her ammunition supply is carrying on a great offensive on the Eastern Front. Gunners setting fuses of shrapnel shells previous to their being fi...
Crowd of cheering children. J R Clynes MP, Parliamentary Secretary of the Ministry of Food Control, arrives and performs the opening ceremony. The children, rather camera-shy, hold jugs of soup. A fin...
'5000 CANADIANS LEAVE FOR HOME: S.S. Olympic's historic departure from Southampton'. Cheerful soldiers mill about on quayside, and crowd onto the walkways of SS Olympic. Caption: 'Sir Edward Kemp (on ...
The movie shows the transportation and installation of cannons used to defend the coast.
Propaganda documentary produced under Fascism by the National Insurance Institute to promote life insurance. The river Piave, symbol of the First World War, is described by the monuments, plaques and ...
The film traces the history of Italy from 1200 until the advent of fascism. The fragment presented, which is the last part of the film, begins May 15 1915 with the begin of the First World War and en...
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...