The trade unionist shop stewards "representing 40,000 shipyard workers" are shown around the hospital. They include some women. They are shown a patient receiving heat lamp treatment. A group of them ...
The tower is very high and used for Artillery observation. The last few sandbags are hauled up into position.
Spanish language version of a newsreel item on British troops building a sandbag obse...
The fatal consequences of accidentally letting the enemy discover secret information are illustrated by an episode set in the trenches. Orders for an attack are passed down from Hindenburg to GHQ to o...
Officers walk out from the wooden huts of their bases. The huts have flower gardens and even a sundial. The station groundcrew drill on the main square, with a band, at some length, and finally march ...
Newsreel item on Supermarine Southampton flying boats of 201 Squadron taking off for a goodwill tour of the Baltic from Calshot, September 1930.
Newsreel item on Supermarine Southampton flying boats of 201 Squadron taking off for a goodwill tour of the Baltic from Calshot, September 1930.
The crews, of 203 Squadron, say goodbye to their families at the water's edge and take launches out to their flying boats. A number of newsreel cameramen, including one on a Pathé sound van, record t...
The squadron pilots start up their Fairey IIIF aircraft and take off. Three of them, and the camera plane (see note below), overfly the mountain, which is covered with snow.
Newsreel item on airc...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Notes on the films portraying Portugal’s participation in WWI.
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 13, 1919) -11 (May 29, 1919). - Prague: M. Fuchs, 1...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 566, (1917), S. 21-22. Rezensionen zu "Aus des Deutschen Reiches Waffenschmiede", "Höhenluft mit Henny Porten" und "Der schwarze Chauf...
Josef Max Jacobi, Der Triumph des Films, Der Kinematograph, 563, (1917), S. 13-14. Die Macht des Films sei lange verkannt worden, im Krieg aber hätte sie sich bewiesen. Kinobesitzer sollten mit gutem...