The trade unionist shop stewards "representing 40,000 shipyard workers" are shown around the hospital. They include some women. They are shown a patient receiving heat lamp treatment. A group of them ...
The tower is very high and used for Artillery observation. The last few sandbags are hauled up into position.
Spanish language version of a newsreel item on British troops building a sandbag obse...
The fatal consequences of accidentally letting the enemy discover secret information are illustrated by an episode set in the trenches. Orders for an attack are passed down from Hindenburg to GHQ to o...
Officers walk out from the wooden huts of their bases. The huts have flower gardens and even a sundial. The station groundcrew drill on the main square, with a band, at some length, and finally march ...
Newsreel item on Supermarine Southampton flying boats of 201 Squadron taking off for a goodwill tour of the Baltic from Calshot, September 1930.
Newsreel item on Supermarine Southampton flying boats of 201 Squadron taking off for a goodwill tour of the Baltic from Calshot, September 1930.
The crews, of 203 Squadron, say goodbye to their families at the water's edge and take launches out to their flying boats. A number of newsreel cameramen, including one on a Pathé sound van, record t...
The squadron pilots start up their Fairey IIIF aircraft and take off. Three of them, and the camera plane (see note below), overfly the mountain, which is covered with snow.
Newsreel item on airc...
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Grempe, P. M.. “Der Wert kinematographischer Aufnahmen für die Kunst.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 79-80. Erörterung, wie die Kenntnisse...
Lorenzen, Ernst und Ewers, Hanns Heinz. „Der Student von Prag.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 140-142. Der Film sei ein Meilenstein, weil er zu...