Sequence showing attempts by an SS airship to cooperate with submarine K.5 - the airship repeatedly closes on and hovers over the after deck of the submarine while crewmen restrain it by catching hold...
Opening caption urges maximum effort "if the Hun is to be beaten". Panning medium shot across sheds. Scenes of shipyard activity. Medium shot from water as merchant hull is launched. Cartoon sequence ...
The airship is reversed out of its shed. It carries British RNAS roundels and the gondola is clearly marked NS5. It is manoeuvred into position on the landing ground and takes off. A message is droppe...
The men, always in long shot, are in a park or wood in snow conditions. They move as a group holding onto the ropes of the balloon, which is not seen until the end of the film. Gradually, climbing ove...
The airship emerges tail first from its shed, and is steered to the take-off point by its groundcrew. The camera is some distance away and shows the full length of the airship. Very slowly it begins t...
The airship is backed out of its hangar and prepared for flight. It lifts off, and flies away. Filmed from the ground through the fog it appears as a blur. It returns head-on and nose-down to the land...
Newsreel item showing the funeral, in a local churchyard, of the dead from the crash of Zeppelin L31 at Potters Bar, 1st October 1916.
Newsreel item of an Arab camel train in the deserts of Palestine, late 1917.
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...