The film uses a mixture of line drawings, animation, and actuality material. The exercise is for a Vickers machine gun section of gunner, loader, and two carriers, under the instruction of a lieutenan...
Unrelated scenes with no continuity or storyline, mainly taken from the GERMAN OFFENSIVE series of Spring 1918, showing the British sector of the Western Front between March and April 1918. An additio...
The men, from various regiments, all go into a building marked "Entrance for Troops for Dispersal". They are checked off against a list, each handed their discharge papers (?) and issued with civilian...
I. The first reel shows men of the Indian Corps (including British soldiers) in France in January 1916. It is taken unaltered, in a slightly re-edited form, from IWM 202 INDIAN TROOPS AT THE FRONT. II...
(Reel 1) A working class back street slum, with the men at war and the women largely unable to cope with growing children. Lizzie has a small baby that her husband Jim, a corporal serving in France, h...
An actress "Britannia" draws aside a curtain over a screen, flanked by silhouettes of two British soldiers. On the screen appears a genuine scene of refugees fleeing out of Belgium in 1914, followed b...
Very short film showing the front of the Ministry of Food building in London, probably spring 1918.
High-angle medium shot from cliffs overlooking the bay to starboard bow of War-Knight as she lies awash in slight sea - waves run over the focsle well deck. Similar shot from higher viewpoint - an ova...
Paul Wegener in a double role in "Der Student von Prag" (1913)
Lyda Salmonova
Paul Wegener in a double role in "Der Student von Prag" (1913)
Paul Wegener in "Der Golem, wie er in die Welt kam" (1920)
Henny Porten, Eduard von Winterstein
Joseph Klein, Henny Porten
Paul Wegener in a double role in "Der Student von Prag" (1913)
Esimese postilennuki teele saatmine Helsingisse Lasnamäelt.
Imperator Film GmbH, Wenn frei das Meer für deutsche Fahrt !, Der Kinematograph, 556, (1917), S. 30.
Walter Thielemann, Der Vaterländische Hilfsdienst und die Kinobranche, Der Kinematograph, 521/2 , (1916). Befürchtung, der Vaterländische Hilfsdienst könne die Kinobranche schwächen. Diese sei ab...
Kriegsanleihe-Filme, Der Kinematograph, 563, (1917), S. 22. Ankündigung neuer Trickfilme zur Werbung für die Kriegsanleihe. Sie werden allesamt als sehr unterhaltsam und technisch gelungen beschrieb...
Universum Filmverleih, Die Waffen nieder, Der Kinematograph, 620, (1918), S. 28-33.
Julius Sternheim, Propaganda-und Aufklärungsfilme, Der Kinematograph, 592, (1918), S. 12-14. Propagandafilme müssten maßgeblich eine Botschaft verfolgen, was sie oftmals zwangsläufig langatmig mac...
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.
Notes on the film and its thematics (a fundraising event for the War Memorial).
2 film guides (brochures), 18 pages each, 1st. And 3rd. editions. Documentary about the ventriloquist and automata creator Francisco Sanz Baldoví, codirected by Maximiliano Thous and Sanz himself. It...