German naval officers, sailors and some soldiers wander through the streets of Ostend. A tram passes, pulling a line of freight carriages. At a tram stop a marching band leads a group of soldiers on b...
All the competitors wear athletics kit and the stadium is quite full. There is a flat race, a pole vault, and a hurdling race. The teams parade around the ground led by a military band. More sports in...
A group of children, under the direction of two or three adults. Each takes a wicker basket and picks the blackberries from nearby bushes. One of the adults stands by a grocer's van with a Ministry of...
The Manunal was a covering mat or carpet for the Kaa'ba outside the Great Mosque at Mecca. Very highly decorated, a new one was made in Cairo each year and transported in ceremonial procession to Port...
(Reel 7) The episode starts with 'Justice'. Men of V Corps unload meat from wagons. A butcher of 16th (Irish) Division cuts up the meat. Various types of supplies are moved from rail trucks and loaded...
(Reel 9) The episode starts with 'Justice'. The tank race and demonstration of a tank climbing over a cottage arranged for George V's visit to France in July 1917. Post-war tests of Mark V Star tanks....
(Reel 11) The film-makers state "We think it is well that we should have been given an opportunity in this episode to show you these terrible fields that were trampled by our deathless allies in their...
(Reel 13) After the opening with 'Justice', the episode consists entirely of unrelated scenes of the Western Front. Scottish troops in long-shot carrying barbed wire. The officer of a tunnelling compa...
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
Still from "Die rätselhafte Sphinx"
Szene aus "Der rote Baron"
Messter Film GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 557, (1917), S. 3.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 473, (1916), S. 17-20. Bericht über Neuerscheinungen auf dem Filmmarkt. Bei zwei der behandelten Filme handelt es sich um Krimis, vier Komöd...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 581, (1918), S. 28-29. "Edelsteine" wird als erstes besprochen und als psychologisch tiefgründiges Werk bezeichnet. An dritter Stelle ...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Deutsche Lichtbild Gesellschaft e.V., Der Friedensreiter, Der Kinematograph, 618, (1918), S.22-23.
Der deutsche Film für das Ausland, Der Kinematograph, 620, (1918). Es sei Aufgabe der deutschen Filmindustrie, den negativen Vorstellungen über Deutschland, die im Ausland im Krieg verbreitet worden...
Im Soldaten-Kino, Der Kinematograph, 469, (1915), S. 8-9. Bericht über ein Kino an der Front. Das Kino helfe den Soldaten, durch Unterhaltungsfilme, die sie im zivilen Leben als sehr abgeschmackt ang...