Scenes of a riverside town, including its castle. The river itself has steep banks, and is wide and fast-flowing. The German Engineers, in fatigue dress, row the pontoon boats with their wooden cross-...
The film opens with a still of Kitchener superimposed on the sea. Then a Union Jack being hoisted at a ship's stern (meant to represent the Hampshire). A diagram of the currents between the Orkneys an...
A brief scene of British Army ambulance drivers racing to their ambulances and driving off.
The main street is crowded with people. The battalion band leads the men down through the crowd. The camera, in the front row of the crowd, shows one rank after another in a sustained shot as they par...
Pilot tests engine and controls of Sopwith 5F.1 Dolphin (serial number C4130) and mechanic attempts to swing propeller. Line of three Dolphins start up and are lifted round so as to taxi into the posi...
The two tractors fly small US flags. Each has a driver on the bucket-seat and an observer in front. They demonstrate their climbing and turning characteristics on a farmyard test site. One pushes over...
Opens with general views of the substantially intact metal structure of the burnt-out Zeppelin. Further shots show a gondola (with various military and naval personnel working in and around it), prope...
Gunners of 51st (Highland) Division enter by ladder a temporary shelter they have constructed in a large overturned water tower at Riencourt near Bapaume, Western Front, 5 January 1918.
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Still from "Gebrochene Schwingen"
Still with Henrik Galeen (first on the left), Paul Wegener (first from the right)
Paul Wegener, Lyda Salmonova
Still with Paul Wegener (in the middle)
Film poster
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
Der Arbeiter und Soldaten Rat, Lichtbildbühne, 49, (1918).
O. Verf.. „Englands Heer. Der englische Armee-Film.“ Der Kinematograph 374 (1914).
O. Verf.. "Entwicklung und Bedeutung des Kinowesens." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Statistische Zahlen, die die Bedeutung und Verbreitung d...
Walter Weise, Filmkunst und Publikum, Der Kinematograph, 683, (1920), S. 21-22. Die beiden rezensierten Filme seien ein absoluter Publikumserfolg und sogar in der Lage, eingefleischte Kinogegner zu ü...
Brepohl. "Von der Kinematographenzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Bericht über den Fall eines Kinobesitzers, der in der Zensur, sofern ...
Sellmann, Adolf. „Der Kampf um den Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 97-100. Das Kino sei vor allen Dingen von Feinden von außen bedroht, v...
Schibas, Franz. „Wie meine Schülerinnen die Filmstücke beurteilen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 37-39. Schibas schildert, wie seine Schül...