Scenes of a riverside town, including its castle. The river itself has steep banks, and is wide and fast-flowing. The German Engineers, in fatigue dress, row the pontoon boats with their wooden cross-...
The film opens with a still of Kitchener superimposed on the sea. Then a Union Jack being hoisted at a ship's stern (meant to represent the Hampshire). A diagram of the currents between the Orkneys an...
A brief scene of British Army ambulance drivers racing to their ambulances and driving off.
The main street is crowded with people. The battalion band leads the men down through the crowd. The camera, in the front row of the crowd, shows one rank after another in a sustained shot as they par...
Pilot tests engine and controls of Sopwith 5F.1 Dolphin (serial number C4130) and mechanic attempts to swing propeller. Line of three Dolphins start up and are lifted round so as to taxi into the posi...
The two tractors fly small US flags. Each has a driver on the bucket-seat and an observer in front. They demonstrate their climbing and turning characteristics on a farmyard test site. One pushes over...
Opens with general views of the substantially intact metal structure of the burnt-out Zeppelin. Further shots show a gondola (with various military and naval personnel working in and around it), prope...
Gunners of 51st (Highland) Division enter by ladder a temporary shelter they have constructed in a large overturned water tower at Riencourt near Bapaume, Western Front, 5 January 1918.
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...