Scenes of a riverside town, including its castle. The river itself has steep banks, and is wide and fast-flowing. The German Engineers, in fatigue dress, row the pontoon boats with their wooden cross-...
The film opens with a still of Kitchener superimposed on the sea. Then a Union Jack being hoisted at a ship's stern (meant to represent the Hampshire). A diagram of the currents between the Orkneys an...
A brief scene of British Army ambulance drivers racing to their ambulances and driving off.
The main street is crowded with people. The battalion band leads the men down through the crowd. The camera, in the front row of the crowd, shows one rank after another in a sustained shot as they par...
Pilot tests engine and controls of Sopwith 5F.1 Dolphin (serial number C4130) and mechanic attempts to swing propeller. Line of three Dolphins start up and are lifted round so as to taxi into the posi...
The two tractors fly small US flags. Each has a driver on the bucket-seat and an observer in front. They demonstrate their climbing and turning characteristics on a farmyard test site. One pushes over...
Opens with general views of the substantially intact metal structure of the burnt-out Zeppelin. Further shots show a gondola (with various military and naval personnel working in and around it), prope...
Gunners of 51st (Highland) Division enter by ladder a temporary shelter they have constructed in a large overturned water tower at Riencourt near Bapaume, Western Front, 5 January 1918.
Alice Verden
Still with Lyda Salmonova
Szene aus "Westfront 1918"
Paul Wegener
Erich Ponto, Alice Verden
Szene aus "Der rote Baron"
Adolf Klein (on the left), Henny Porten, Theodor Loos, Olga Engl (sitting, from left to right)
Szene aus "Aus dem Buche des Lebens"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...