Scenes of a riverside town, including its castle. The river itself has steep banks, and is wide and fast-flowing. The German Engineers, in fatigue dress, row the pontoon boats with their wooden cross-...
The film opens with a still of Kitchener superimposed on the sea. Then a Union Jack being hoisted at a ship's stern (meant to represent the Hampshire). A diagram of the currents between the Orkneys an...
A brief scene of British Army ambulance drivers racing to their ambulances and driving off.
The main street is crowded with people. The battalion band leads the men down through the crowd. The camera, in the front row of the crowd, shows one rank after another in a sustained shot as they par...
Pilot tests engine and controls of Sopwith 5F.1 Dolphin (serial number C4130) and mechanic attempts to swing propeller. Line of three Dolphins start up and are lifted round so as to taxi into the posi...
The two tractors fly small US flags. Each has a driver on the bucket-seat and an observer in front. They demonstrate their climbing and turning characteristics on a farmyard test site. One pushes over...
Opens with general views of the substantially intact metal structure of the burnt-out Zeppelin. Further shots show a gondola (with various military and naval personnel working in and around it), prope...
Gunners of 51st (Highland) Division enter by ladder a temporary shelter they have constructed in a large overturned water tower at Riencourt near Bapaume, Western Front, 5 January 1918.
Film poster
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Still from "Störe nicht die Flitterwochen"
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...