The item starts with a notice saying that profits from the newsreel all go to service charities. Then the soldiers are shown bringing the full coaltrucks out onto the surface of the mine. The coal is ...
Lloyd George's car pulls up outside the building entrance and he hurries inside. He is followed by a senior US officer, possibly General T H Bliss.
Newsreel item on the arrival of Lloyd George at...
Infantry line up beside their bell tent camp for training. Taken out onto a road, they break ranks to have the scheme explained. A Lewis gun team (note no magazine fitted) is instructed on siting its ...
A divisional general, two colonels, an ADC (in the Royal Welch Fusiliers) and a civilian walk up a slope away from a tented camp to where soldiers are cooking a meal in the open.
Fragment of a fi...
The procession, led by the Mayor and by Mr George Benson, winds through the streets. Its object, according to the caption, is to lay a wreath on Shakespeare's tomb.
Newsreel item on a Saint Georg...
The Italians, in campaign hats, climb up a rugged hill below the snow-line. A bridge blown up by the Austrians is shown. The Italians crouch behind a sandbag defensive wall. A view through a telescope...
An honour guard of Infantry marches into position beside the dock, past Roberts' ship, the SS Dunnottar Castle. Roberts, in Field Marshal's dress blue uniform, comes down the gangplank, followed by hi...
The film is of poor quality, and shows the procession passing a fixed point. First come the various honour guards of representative soldiers (including horsemen) and sailors, then the magnificent fune...
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
Still from "Die rätselhafte Sphinx"
Szene aus "Der rote Baron"
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
Der Arbeiter und Soldaten Rat, Lichtbildbühne, 49, (1918).
O. Verf.. „Englands Heer. Der englische Armee-Film.“ Der Kinematograph 374 (1914).
O. Verf.. "Entwicklung und Bedeutung des Kinowesens." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Statistische Zahlen, die die Bedeutung und Verbreitung d...
Walter Weise, Filmkunst und Publikum, Der Kinematograph, 683, (1920), S. 21-22. Die beiden rezensierten Filme seien ein absoluter Publikumserfolg und sogar in der Lage, eingefleischte Kinogegner zu ü...
Brepohl. "Von der Kinematographenzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Bericht über den Fall eines Kinobesitzers, der in der Zensur, sofern ...
Sellmann, Adolf. „Der Kampf um den Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 97-100. Das Kino sei vor allen Dingen von Feinden von außen bedroht, v...
Schibas, Franz. „Wie meine Schülerinnen die Filmstücke beurteilen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 37-39. Schibas schildert, wie seine Schül...