The item starts with a notice saying that profits from the newsreel all go to service charities. Then the soldiers are shown bringing the full coaltrucks out onto the surface of the mine. The coal is ...
Lloyd George's car pulls up outside the building entrance and he hurries inside. He is followed by a senior US officer, possibly General T H Bliss.
Newsreel item on the arrival of Lloyd George at...
Infantry line up beside their bell tent camp for training. Taken out onto a road, they break ranks to have the scheme explained. A Lewis gun team (note no magazine fitted) is instructed on siting its ...
A divisional general, two colonels, an ADC (in the Royal Welch Fusiliers) and a civilian walk up a slope away from a tented camp to where soldiers are cooking a meal in the open.
Fragment of a fi...
The procession, led by the Mayor and by Mr George Benson, winds through the streets. Its object, according to the caption, is to lay a wreath on Shakespeare's tomb.
Newsreel item on a Saint Georg...
The Italians, in campaign hats, climb up a rugged hill below the snow-line. A bridge blown up by the Austrians is shown. The Italians crouch behind a sandbag defensive wall. A view through a telescope...
An honour guard of Infantry marches into position beside the dock, past Roberts' ship, the SS Dunnottar Castle. Roberts, in Field Marshal's dress blue uniform, comes down the gangplank, followed by hi...
The film is of poor quality, and shows the procession passing a fixed point. First come the various honour guards of representative soldiers (including horsemen) and sailors, then the magnificent fune...
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...