The item starts with a notice saying that profits from the newsreel all go to service charities. Then the soldiers are shown bringing the full coaltrucks out onto the surface of the mine. The coal is ...
Lloyd George's car pulls up outside the building entrance and he hurries inside. He is followed by a senior US officer, possibly General T H Bliss.
Newsreel item on the arrival of Lloyd George at...
Infantry line up beside their bell tent camp for training. Taken out onto a road, they break ranks to have the scheme explained. A Lewis gun team (note no magazine fitted) is instructed on siting its ...
A divisional general, two colonels, an ADC (in the Royal Welch Fusiliers) and a civilian walk up a slope away from a tented camp to where soldiers are cooking a meal in the open.
Fragment of a fi...
The procession, led by the Mayor and by Mr George Benson, winds through the streets. Its object, according to the caption, is to lay a wreath on Shakespeare's tomb.
Newsreel item on a Saint Georg...
The Italians, in campaign hats, climb up a rugged hill below the snow-line. A bridge blown up by the Austrians is shown. The Italians crouch behind a sandbag defensive wall. A view through a telescope...
An honour guard of Infantry marches into position beside the dock, past Roberts' ship, the SS Dunnottar Castle. Roberts, in Field Marshal's dress blue uniform, comes down the gangplank, followed by hi...
The film is of poor quality, and shows the procession passing a fixed point. First come the various honour guards of representative soldiers (including horsemen) and sailors, then the magnificent fune...
Still from "Die Strafgefangene Nr. 63. Unschuldig verurteilt"
Still from "Dämonit"
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Notes on the films portraying Portugal’s participation in WWI.
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 13, 1919) -11 (May 29, 1919). - Prague: M. Fuchs, 1...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 566, (1917), S. 21-22. Rezensionen zu "Aus des Deutschen Reiches Waffenschmiede", "Höhenluft mit Henny Porten" und "Der schwarze Chauf...
Josef Max Jacobi, Der Triumph des Films, Der Kinematograph, 563, (1917), S. 13-14. Die Macht des Films sei lange verkannt worden, im Krieg aber hätte sie sich bewiesen. Kinobesitzer sollten mit gutem...