The item starts with a notice saying that profits from the newsreel all go to service charities. Then the soldiers are shown bringing the full coaltrucks out onto the surface of the mine. The coal is ...
Lloyd George's car pulls up outside the building entrance and he hurries inside. He is followed by a senior US officer, possibly General T H Bliss.
Newsreel item on the arrival of Lloyd George at...
Infantry line up beside their bell tent camp for training. Taken out onto a road, they break ranks to have the scheme explained. A Lewis gun team (note no magazine fitted) is instructed on siting its ...
A divisional general, two colonels, an ADC (in the Royal Welch Fusiliers) and a civilian walk up a slope away from a tented camp to where soldiers are cooking a meal in the open.
Fragment of a fi...
The procession, led by the Mayor and by Mr George Benson, winds through the streets. Its object, according to the caption, is to lay a wreath on Shakespeare's tomb.
Newsreel item on a Saint Georg...
The Italians, in campaign hats, climb up a rugged hill below the snow-line. A bridge blown up by the Austrians is shown. The Italians crouch behind a sandbag defensive wall. A view through a telescope...
An honour guard of Infantry marches into position beside the dock, past Roberts' ship, the SS Dunnottar Castle. Roberts, in Field Marshal's dress blue uniform, comes down the gangplank, followed by hi...
The film is of poor quality, and shows the procession passing a fixed point. First come the various honour guards of representative soldiers (including horsemen) and sailors, then the magnificent fune...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...